La batuta del director de la Orquesta Nacional Juvenil del Uruguay, Ariel Britos, ser\u00e1 la que dirija esta obra, tom\u00e1ndole as\u00ed relevo al espa\u00f1ol Pl\u00e1cido Domingo, que estren\u00f3 la misma pieza, pero en ingl\u00e9s, hace cinco a\u00f1os en Estados Unidos.<\/div>\n<\/div>\n
La que s\u00ed repite su rol es la soprano Mar\u00eda Eugenia Ant\u00fanez, quien le volver\u00e1 a dar vida a \u201cRosa Orellano\u201d, personaje con el que conect\u00f3 inmediatamente \u201cde una manera muy especial\u201d.<\/p>\n
\u201cElla (Rosa Orellano) es nuestra cultura, ella es lo que somos nosotros. Sus locuras, sus traumas… eso viene de nuestra educaci\u00f3n, de nuestra cultura, de nuestra religi\u00f3n, de cosas que se nos dicen de ni\u00f1os\u201d, relata la cantante uruguaya.<\/p>\n
A lo largo de la funci\u00f3n de dos horas y media, se narran varios hechos traum\u00e1ticos para la protagonista, como la muerte de su padre \u2014un senador de un pa\u00eds latinoamericano\u2014 o la violaci\u00f3n que sufre a manos de un guerrillero, traumas que le hacen obsesionarse con la idea de un d\u00eda poder vengarse del agitador Tadeo C\u00e9spedes. \u201cYo nac\u00ed cuando la dictadura termin\u00f3 en Uruguay (1985) (…) las generaciones de despu\u00e9s quedamos como con un hueco ah\u00ed que no entendemos. Hay gente que viene con traumas, tal vez de pasar por tantas cosas, y que no nos saben trasmitir qu\u00e9 es lo que exactamente vivieron\u201d, declar\u00f3 la int\u00e9rprete.<\/p>\n
En ese sentido, Ant\u00fanez coment\u00f3 que este papel le ayud\u00f3 a \u201ccomprender muchas cosas\u201d, ya que en esta funci\u00f3n \u201cno hay buenos ni malos\u201d, pues todos los personajes \u201cmuestran los dos lados de la moneda\u201d: \u201cSi bien suceden cosas horribles, hay violaciones, hay muchas muertes…, o sea es muy fuerte la historia, a la vez logramos comprender que atr\u00e1s de eso hay motivos\u201d, a\u00f1adi\u00f3.<\/p>\n
Para la artista, \u201cRosa Orellano\u201d se convierte en \u201cla gran v\u00edctima de la historia\u201d, pero a su vez es una figura que representa a \u201cla patria\u201d.<\/p>\n
La cantante y actriz tambi\u00e9n subray\u00f3 que desde que encarn\u00f3 este papel en la \u00d3pera de Los \u00c1ngeles en 2013, so\u00f1\u00f3 con poder interpretar la obra en\u00a0espa\u00f1ol.<\/p>\n
\u201cEn espa\u00f1ol, para m\u00ed, cobra totalmente otra vida, es mucho m\u00e1s emocionante, se siente mucho m\u00e1s el personaje\u201d, opin\u00f3 y remarc\u00f3 que esta ser\u00e1 la primera vez que cante una \u00f3pera en su lengua materna.<\/p>\n
El director de \u00e1rea l\u00edrica y de programas especiales de Auditorio Nacional, Ariel Cazes, record\u00f3 en una entrevista que fue Ant\u00fanez la que le dio a la instituci\u00f3n el \u201cprimer empuj\u00f3n\u201d para emprenderse en este proyecto musical.<\/p>\n
Adem\u00e1s, Cazes cont\u00f3 que la traducci\u00f3n de la \u00f3pera al espa\u00f1ol la realizaron, entre otros, el compositor Lee Holdridge y el libretista Richard Sparks -quien fue el encargado de dar vida l\u00edrica a esta historia de tres hojas que pertenece al libro Cuentos de Eva Luna (1989) de la autora chilena.<\/p>\n","protected":false},"excerpt":{"rendered":"
Se estrena en Uruguay \u00f3pera en espa\u00f1ol basada en el cuento “Una venganza” de Isabel Allende
\nPor Redacci\u00f3n QP<\/p>\n","protected":false},"author":2,"featured_media":2897,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[58],"tags":[],"class_list":["post-2898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"yoast_head":"\n
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