{"id":119495,"date":"2025-10-03T20:36:33","date_gmt":"2025-10-04T02:36:33","guid":{"rendered":"https:\/\/quehacerpolitico.mx\/?p=119495"},"modified":"2025-10-03T20:36:35","modified_gmt":"2025-10-04T02:36:35","slug":"el-quehacer-politico-en-la-cultura-a-traves-del-enfoque-litza-deniss-duran-espinosa-las-letras-contra-el-olvido-las-editoriales-sobre-la-matanza-del-68-en-tlatelolco","status":"publish","type":"post","link":"https:\/\/quehacerpolitico.mx\/?p=119495","title":{"rendered":"El Quehacer Pol\u00edtico en la Cultura a trav\u00e9s del Enfoque\/\/\/Litza Deniss Dur\u00e1n Espinosa\/\/\/Las letras contra el olvido: Las editoriales sobre la Matanza del 68 en Tlatelolco"},"content":{"rendered":"\n<p>Por Litza Deniss Dur\u00e1n Espinosa<\/p>\n\n\n\n<p>El 2 de octubre de 1968, en la Plaza de las Tres Culturas de Tlatelolco, la Ciudad de M\u00e9xico fue escenario de una de las tragedias m\u00e1s oscuras de la historia contempor\u00e1nea del pa\u00eds<\/p>\n\n\n\n<p><strong>El 2 de octubre de 1968, en la Plaza de las Tres Culturas de Tlatelolco, la Ciudad de M\u00e9xico fue escenario de&nbsp;<\/strong><mark><strong>una de las tragedias m\u00e1s oscuras de la historia contempor\u00e1nea del pa\u00eds.&nbsp;<\/strong><\/mark>Miles de estudiantes se hab\u00edan congregado en un mitin pac\u00edfico cuando el Ej\u00e9rcito y cuerpos paramilitares abrieron fuego contra la multitud.<\/p>\n\n\n\n<p>Hasta hoy,<mark><strong>&nbsp;el n\u00famero de v\u00edctimas permanece sin esclarecer:<\/strong><\/mark>&nbsp;decenas, quiz\u00e1 centenares, fueron asesinadas; muchos otros fueron perseguidos, encarcelados o desaparecidos. Aquella noche marc\u00f3 a una generaci\u00f3n y dej\u00f3 una cicatriz que la literatura mexicana no tard\u00f3 en asumir como un deber de memoria y denuncia.<\/p>\n\n\n\n<figure class=\"wp-block-image\" id=\"cnt_img_1497\"><img decoding=\"async\" src=\"https:\/\/www.informador.mx\/__export\/1759428039165\/sites\/elinformador\/img\/2025\/10\/02\/rs77412_3270783-age-2019-10-03-20-56-033-lpr.jpg_1046448716.jpg\" alt=\"NTX\/ ARCHIVO\u00a0\" title=\"NTX\/ ARCHIVO\u00a0\"\/><figcaption class=\"wp-element-caption\">NTX\/ ARCHIVO&nbsp;&nbsp;<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Autores alzan la voz contra el Estado<\/h3>\n\n\n\n<p><strong>Desde la narrativa, varios autores se atrevieron a internarse en el silencio impuesto por el Estado.<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Luis Spota public\u00f3 La plaza (1971),\u00a0<\/strong>donde aborda las responsabilidades ocultas y el juego pol\u00edtico detr\u00e1s de la masacre.\u00a0<\/li>\n\n\n\n<li><strong>Ren\u00e9 Avil\u00e9s Fabila, con El gran solitario de Palacio (1971),\u00a0<\/strong>recurri\u00f3 a la s\u00e1tira para confrontar al poder y poner de relieve la manipulaci\u00f3n pol\u00edtica de los acontecimientos.\u00a0<\/li>\n\n\n\n<li><strong>Mar\u00eda Luisa Mendoza, con Con \u00e9l, conmigo, con nosotros tres (1971),<\/strong>\u00a0incorpor\u00f3 la experiencia personal y el trauma colectivo en una ficci\u00f3n que se convirti\u00f3 en referencia de su tiempo.<\/li>\n<\/ul>\n\n\n\n<p>M\u00e1s tarde, novelas como Los s\u00edmbolos transparentes (1978), de Gonzalo Martr\u00e9, o Palinuro de M\u00e9xico (1977), de Fernando del Paso, volvieron sobre el movimiento estudiantil y la represi\u00f3n, cada una desde registros narrativos distintos, entre el realismo testimonial y la experimentaci\u00f3n literaria.<\/p>\n\n\n\n<figure class=\"wp-block-image\" id=\"cnt_img_9086\"><img decoding=\"async\" src=\"https:\/\/www.informador.mx\/__export\/1759427965622\/sites\/elinformador\/img\/2025\/10\/02\/rs109811_3270786-age-2019-10-03-20-56-036-lpr.jpg_553089656.jpg\" alt=\"NTX\/ ARCHIVO\u00a0\" title=\"NTX\/ ARCHIVO\u00a0\"\/><figcaption class=\"wp-element-caption\">NTX\/ ARCHIVO&nbsp;&nbsp;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Cr\u00f3nicas y testimonios revelan lo que el poder ocultaba<\/h3>\n\n\n\n<p><strong>La cr\u00f3nica y el testimonio se convirtieron en g\u00e9neros esenciales para fijar en palabras lo que el poder buscaba ocultar.<\/strong><\/p>\n\n\n\n<p><strong>Elena Poniatowska, con La noche de Tlatelolco (1971),<\/strong>&nbsp;construy\u00f3 una obra coral con testimonios, documentos y voces directas de los sobrevivientes. El libro se transform\u00f3 en una memoria colectiva del movimiento estudiantil y sigue siendo, hasta hoy, uno de los relatos imprescindibles para entender el 68.<\/p>\n\n\n\n<p><strong>A su lado, Los d\u00edas y los a\u00f1os (1971), de Luis Gonz\u00e1lez de Alba&nbsp;<\/strong>\u2014miembro del Consejo Nacional de Huelga y preso pol\u00edtico\u2014, ofreci\u00f3 la mirada desde dentro, mientras que Carlos Monsiv\u00e1is, en D\u00edas de guardar (1972), insert\u00f3 la masacre en un retrato m\u00e1s amplio de la cultura y la pol\u00edtica mexicanas. D\u00e9cadas despu\u00e9s, Paco Ignacio Taibo II retom\u00f3 la estafeta con 68 (1991), cr\u00f3nica que devolvi\u00f3 a la memoria p\u00fablica los ecos del movimiento y la matanza.<\/p>\n\n\n\n<figure class=\"wp-block-image\" id=\"cnt_img_3067\"><img decoding=\"async\" src=\"https:\/\/www.informador.mx\/__export\/1759427724282\/sites\/elinformador\/img\/2025\/10\/02\/rs174385_3270781-age-2019-10-03-20-56-031-lpr.jpg_327025857.jpg\" alt=\"\u00a0NTX\/ ARCHIVO\" title=\"\u00a0NTX\/ ARCHIVO\"\/><figcaption class=\"wp-element-caption\">NTX\/ ARCHIVO&nbsp;<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">2 de octubre no se olvida<\/h3>\n\n\n\n<p><mark><strong>La poes\u00eda tambi\u00e9n respondi\u00f3 con hondura a la tragedia.<\/strong><\/mark>&nbsp;Rosario Castellanos escribi\u00f3 Memorial de Tlatelolco, un poema de duelo y denuncia que se ha vuelto emblema de la resistencia contra el olvido. En la misma l\u00ednea,&nbsp;<strong>Jos\u00e9 Emilio Pacheco incluy\u00f3 Manuscrito de Tlatelolco&nbsp;<\/strong>en No me preguntes c\u00f3mo pasa el tiempo (1969), donde condens\u00f3 en im\u00e1genes breves la brutalidad del acontecimiento.&nbsp;<strong>Otros poetas, como Juan Ba\u00f1uelos y Jos\u00e9 Carlos Becerra,<\/strong>&nbsp;tambi\u00e9n levantaron la voz en versos que se\u00f1alaron la herida abierta del pa\u00eds.<\/p>\n\n\n\n<figure class=\"wp-block-image\" id=\"cnt_img_9598\"><img decoding=\"async\" src=\"https:\/\/www.informador.mx\/__export\/1759427685475\/sites\/elinformador\/img\/2025\/10\/02\/rs96417_3270802-age-2019-10-03-20-56-052-lpr.jpg_613118521.jpg\" alt=\"\u00a0NTX\/ ARCHIVO\" title=\"\u00a0NTX\/ ARCHIVO\"\/><figcaption class=\"wp-element-caption\">NTX\/ ARCHIVO&nbsp;<\/figcaption><\/figure>\n\n\n\n<p>A m\u00e1s de medio siglo, la literatura mexicana sigue siendo uno de los principales espacios de resistencia frente al silencio y la impunidad.&nbsp;<strong>Novelas, cr\u00f3nicas y poemas han dado nombre y cuerpo a los ausentes, han denunciado la violencia de Estado y han recordado, a\u00f1o tras a\u00f1o, que&nbsp;<\/strong><mark><strong>el 2 de octubre no se olvida.<\/strong><\/mark><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.informador.mx\/__export\/1759427646399\/sites\/elinformador\/img\/2025\/10\/02\/rs309063_3115847-dig-2018-10-04-00-39-03-lpr.jpg_158021514.jpg\" alt=\"EL INFORMADOR\/ ARCHIVO\u00a0\" title=\"EL INFORMADOR\/ ARCHIVO\u00a0\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Por Litza Deniss Dur\u00e1n Espinosa El 2 de octubre de 1968, en la Plaza de&#8230;<\/p>\n","protected":false},"author":2,"featured_media":119496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[58],"tags":[],"class_list":["post-119495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El Quehacer Pol\u00edtico en la Cultura a trav\u00e9s del Enfoque\/\/\/Litza Deniss Dur\u00e1n Espinosa\/\/\/Las letras contra el olvido: Las editoriales sobre la Matanza del 68 en Tlatelolco -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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